Micaela Taylor is no stranger to the Los Angeles dance scene. Her time dancing with renowned companies such as Ate9 Dance Company, BODYTRAFFIC and Heidi Duckler Dance and her fluidity of movement styles, moving effortlessly from contemporary to hip-hop, has landed her on Dance Magazine’s “25 to Watch” for 2019.
Behind the Scenes
Heidi Duckler Dance is known for staging dance in unusual places and their show at the Ford is no exception. “In my first conversation with the Ford, they said, ‘I assume you’re not interested in the stage,’” choreographer Heidi Duckler laughs as she tells me. The space she settled on? The loading dock. “We had to carve out time for rehearsals because the space is in constant use!” Duckler says.
Brick by brick, Bronx-born Louie Vega has built up an epic reputation as a global master of the music that makes people groove. As a club DJ, track producer, record remixer, radio personality, recording artist and house music legend, Vega has spent the last four decades with his ear to the ground and his hands on the pulse of the very best in dance music.
Celebrating its 10th anniversary, LA’s Angel City Jazz Festival is known for focusing on the future of jazz, while nurturing a deep respect for its history. This year, Angel City has a special evening planned for the Ford, with singer/multi-instrumentalist Xenia Rubinos and composer/band leader Lauren Baba’s theBABAorchestra.
Wayne Kramer – one of Rolling Stone’s greatest guitarists of all time and co-founder of what many rock historians consider to be one of the very first punk bands, Detroit’s legendary MC5 -- is a true soul survivor. He’s conquered a serious drug addiction, served time for selling cocaine, sadly outlived three of his four MC5 bandmates and, after an against-all-odds comeback in the 1990s, is living his best life at age 70. He regularly composes music for film and television, pays it forward with his tireless activism, and continues to spread his revolutionary former band’s message.
Finding a Line is something we do, not just something we see. It’s not just a performance, it’s a process. And while we can seek it on our own, we can only find it together. Finding a Line at the Ford is part of an ongoing, community-sourced public art project at the intersection of music, art, photography, filmmaking and whatever else is inspired by the creative act of skateboarding.
Imagine having your most profound existential musings and quiet introspections matched thought for thought by a string quartet… At Ford Theatres on September 6, as part of the provocative IGNITE @ the FORD! series, hip-hop poet Saul Williams will perform with neo classical Mivos Quartet, a string ensemble devoted to performing works of contemporary composers and presenting new music to diverse audiences. The two will perform in the most intimate of settings, with the audience seated on the stage.
Each year at the end of summer, ¡Viva La Tradición! at the Ford celebrates a mariachi great. The show has grown so popular that this year it’s extending to two evenings for the first time. I had to find out more, so I spoke with producer, singer and Las Colibrí band-leader Susie García. This year’s show is a tribute to Don Pepe Martínez, the world-renowned mariachi who passed away in 2014. Don Pepe was the director of the Jalisco, Mexico-based Mariachi Vargas de Tecalitlán for 40 years of the group’s renowned 120-year history.
Unicorns and moonbeams! That magical stuff will spool at the Ford Amphitheatre when the beloved outdoor stage winds toward summer’s-end 2018. Lending unusual piquancy in a special dance-weekend are full-evening works by up-and-coming choreographers: Marjani Forté-Saunders (Aug 24, 25) and Stephanie Zaletel (Aug 26 only). To accommodate the intimate, experimental nature of these dance performances, the Ford has launched a new small-scaled seating configuration. Downtown Manhattan meets the Cahuenga Pass. Check it out!
When I met him, I was way too shy to tell hip-hop artist Omar Offendum that his album SyrianamericanA was a staple on my running mix for years. For those of you who may be unfamiliar, Omar is a Syrian American rapper and poet, who has legit Jay-Z status in the Arab American community. But to relegate his work to one community would be a disservice. He’s popular all over the world and his infectious and intellectual music speaks to anyone who’s felt marginalized or, as he puts it, “hybridized.”