The Ford Blog
August 31, 2016 | Behind the Scenes
“AfroLatino is an ongoing dialogue about the roots of rhythm,” KCRW DJ Garth Trinidad tells me. As a native Angeleno, I’ve been listening to him on the radio for as long as I can remember. I arrive at KCRW under the cover of darkness, just after Garth’s show finishes at 10 p.m., to talk to Garth about the AfroLatino show taking place at the Ford on September 10.
August 24, 2016 | Behind the Scenes
Would Mozart have been a Trekkie or a Stars War fan? We may never know, but that hasn’t stopped Pacific Opera Project (POP) from boldly going where no opera company has gone before. On September 3, their uproarious Star Trek inspired adaptation of Mozart’s Abduction from the Seraglio takes place at the Ford.
August 10, 2016
I’m listening to John Coltrane’s seminal album “A Love Supreme,” soaking in his energetic riffs and masterful melodies. Even though I’ve never taken time to just sit and listen to it, I feel intimately familiar with so many of the songs – that’s how much this album, considered by many to be one of the greatest of all time – has permeated the American soundscape. Never mind how many other artists it has inspired.
August 03, 2016 | Behind the Scenes
“The music is what gets people in,” John Hensley says of his show, a mix of spoken word and musical acts. “My base always comes but people who have never experienced Flypoet - they come for the music and discover the poetry.”
July 27, 2016 | Behind the Scenes
Jose Vences, director of folklorico dance company Grandeza Mexicana, reflects on the impact that self-described "ranchera and jazz singer" Lila Downs has had on him and his choreography in anticipation of their collaborative performances at the Ford in August.
July 20, 2016 | Behind the Scenes
In 1965, immediately before locking himself in his home for 18 months to beat writer’s block and compose One Thousand Years of Solitude, Gabriel García Márquez wrote a movie called Tiempo de morir. Though the film is cited by the likes of Guillermo del Toro and Alejandro González Iñárritu as an inspiration, and is considered a classic in Mexico, it is nearly impossible to see in the US.